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“Is fashion art? No,” says André Leon Talley, decisively, backstage at John Galliano’ s Spring/Summer 1994 show.

A group of students at the Pratt Institute in Brooklyn is meeting up to mend clothes that might otherwise be thrown out.

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Satin appliqués, embroidered motifs, abstract renderings—the runways were teeming with lively interpretations.

This article is produced in partnership with Republic Polytechnic as part of its Diploma in Mass Communication's Media Practicum module. In a world where cheap clothing is just a tap away, Nurul ...