In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. That project has concluded, and works are now being ...

This Jam Session playlist presents music by Black artists, spanning from the early 1920s to the present day, selected by Norman Teague and his team as a riff on Teague’s Designer’s Choice exhibition ...

“I try to see one thing from five different viewpoints and keep moving, working around a central point,” Thomas Schütte has said. “But what it is I don’t know. As soon as you define it, it’s ended.” ...

The notion of artificial intelligence may seem distant and abstract, but AI is already pervasive in our daily lives. Anatomy of an AI System analyzes the vast networks that underpin the “birth, life, ...

The Thomas Walther Collection—341 photographs by 148 artists—represents the innovative vision of the 1920s and ’30s, a transformative period of modern photography and the foundation of our photo-based ...

MARINA ABRAMOVIĆ: In The Artist is Present, I perform every day for three months. The performance is really about presence. You have to be in the here and now, 100 percent. GLENN LOWRY: Marina ...

GLENN LOWRY: By the 1970s, performance art had achieved a level of notoriety and even acceptance. However, because many artists used their bodies aggressively in their performances, it was often ...

The MoMA Alzheimer's Project was a special initiative in the Museum's Department of Education.The initiative took place from 2007 to 2014 and was generously funded by MetLife Foundation. During this ...

Immerse yourself in ideas and see your world in new ways through art. In MoMA’s free Massive Open Online Courses (MOOCs) on Coursera, you will hear directly from artists and designers, look closely at ...

Narrator: Edward James, a British poet and patron of Surrealism, commissioned Magritte to make this portrait in 1937, titled Not to be Reproduced. Curator, Art Institute of Chicago, Stephanie ...

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One morning in the summer of 1952, Matisse told his studio assistant and secretary Lydia Delectorskaya that “he wanted to see divers,” so they set out to a favorite pool in Cannes. Suffering under the ...