Once again, a police procedural serves as the movie’s framework, complete with shadow-forming Venetian blinds and hardboiled monologuing. This time, though, thanks to Nielsen’s flinty presence (and all those “Taken” thrillers),

Por JAKE COYLEAlgunos dicen que dirigir es un 90% de casting. En el caso de Leslie Nielsen como el teniente Frank Drebin, fue más un 110%. La elección de Nielsen para “Police

Liam Neeson and Pamela Anderson try to do what Leslie Nielsen and Priscilla Presley did so effortlessly more than three decades ago. The result is a mixed bag at best.