"Rush Hour" director Brett Ratner, who is helming First Lady Melania Trump's upcoming documentary, is in a photo in the latest batch of Jeffrey Epstein files released by the Justice Department. An ...

Ratner is pictured posing with the late French model agent and Epstein associate Jean-Luc Brunel Taylor Hill/FilmMagic;wireimage Disgraced Hollywood director Brett Ratner appeared in the latest batch ...

The Netflix film about the making of Jean-Luc Godard’s French New Wave classic “Breathless” is chock-full of names with key roles in cinema history. By Ben Kenigsberg It’s no exaggeration to say that ...

Why is Christian Science in our name? Our name is about honesty. The Monitor is owned by The First Church of Christ, Scientist, and we’ve always been transparent about that. The church publishes the ...

The American director moves his sights to Paris in 1959, when a young, cocky Jean-Luc Godard is hustling to make his first (now legendary) movie. By Manohla Dargis When you purchase a ticket for an ...

“Nouvelle Vague,” Richard Linklater’s dramatization of the making, in 1959, of Jean-Luc Godard’s “Breathless,” is a nitpicker’s delight: any viewer who knows anything about Godard’s story can find ...

Donna Jean Godchaux-MacKay, the only woman to have graced The Grateful Dead's lineup, has died at 78. The singer died at a hospice on Sunday, Nov. 2, in Nashville after a "lengthy struggle with cancer ...

All you need to make a movie is a girl and a gun. Cameras, actors, and locations help as well. Scripts are, of course, totally optional. What is really required, however, is passion and determination.

The personality most identified with it is Jean Luc Melenchon, who has run for president three times, the last time in 2022, when he gathered 21.9 percent of the votes, finishing third after ...

Former White House press secretary Karine Jean-Pierre left a veteran interviewer baffled during a meandering defense of former President Joe Biden’s leadership — an exchange that quickly went viral ...

“Nouvelle Vague” is Richard Linklater’s ode to the making of Jean-Luc Godard’s pioneering 1960 debut, “À bout de souffle,” a.k.a. “Breathless.” Shot entirely in black-and-white, with dialogue mostly ...