Every artist confronts her past, and, in the case of the Indian dancer Bijayini Satpathy, that past is both a country and a colonial legacy. Satpathy performs Odissi, a dance style from the eastern ...

It’s a bitterly cold Tuesday night, and the Georgia Saazish dance team is running formations in the lobby of the Lamar Dodd School of Art at the University of Georgia. The lighting is dim, the glass ...

Telling stories through elaborate dance and music while keeping in touch with their Indian roots. A local dance group in Connecticut, Layavinyasa, is helping children keep in touch with their heritage ...

With their painstaking, precise movements, the women look like Hindu statues of goddesses come to life. Barefoot and clad in yoga gear and flowery, flowing pants, five women and one child assemble in ...

A Potomac, MD dance studio teaches Bharatanatyam, a classical Indian dance form. Step into the world of Bharatanatyam, a classical Indian dance form that has been nurtured and celebrated for centuries ...

As most children celebrating Holi get busy this time of year throwing colorful powder at one another, girls and boys at the Syosset-based Hamsaasya School of Dance are also throwing on colorful garb ...

Recently, at the Joyce Theatre, I attended a war. The war was a dance, “Gigenis: The Generation of the Earth,” directed by the British dancer and choreographer Akram Khan, loosely inspired by the ...

On Sept. 27 and 28, Harvard’s Lakshmi Mittal and Family South Asia Institute and MIT Heritage Arts of South Asia (MITHAS) hosted Intersections, a two-day conference centered on traditional Indian ...

Performances in N.Y.C. Advertisement Supported by The choreographer Akram Khan’s “Gigenis,” based loosely on a character in the Mahabharata, represents a kind of homecoming for him. By Marina Harss A ...

INDIAN music is a very ancient art and has a three-thousand-year-old tradition behind it. This represents perhaps the longest unbroken record of any cultural tradition we know. Countries like China ...

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